~ magazine ~ podcast
~ magazine ~ podcast
“Its about community!
No matter where in the world they are NAFF is where we celebrate their work and nurture the relationships and introduce new
ones to it”
ALARY
marc
Marc is a French designer known for his innovative work in the field of jewelry and accessories. He often blends modern design with traditional craftsmanship, resulting in pieces that are both contemporary and timeless. Alary has a reputation for his unique aesthetic, which often features organic shapes and playful motifs inspired by nature.
We visited Marc in the magical Biarritz, a coastal city in southwestern France, renowned for its beautiful beaches and vibrant surf culture where he now lives with his cat Faust after nearly two decades in New York, frequently commuting to Paris for work.
Marc gained notable recognition for his success in the Vogue Fashion Fund, which he won in 2013. This prestigious competition is designed to support emerging talent in the fashion industry. Winning provided him with valuable resources and exposure, allowing him to further develop his brand and showcase his unique jewelry designs.
In addition to his jewelry collections, Alary has collaborated with various fashion brands, showcasing his versatility and creative vision. His work reflects a deep appreciation for materials, and he often experiments with different textures and forms to create striking pieces.
Demoiselles Ring, The dragonfly’s bodies are fully encrusted with pink and green tourmaline stones in various shapes and cuts to add dimension and texture. The play on light over the 18k white gold and enamel wings creates even more nuances and variations of color making this statement piece dazzling and appealing to the eye!
It is said that Napoleon III visited Biarritz in the mid-19th century for health reasons, seeking the mild climate and fresh sea air to alleviate his ailments. His time there marked the beginning of Biarritz's transformation into a fashionable seaside resort, as he and his wife, Empress Eugénie, became enamored with the area. This royal endorsement led to significant development in the town, attracting high society and establishing Biarritz as a glamorous destination. The legacy of that era is still evident today in the architecture and allure of the city.
Materials
18K White Gold Demoiselles Ring With Pink, Green Tourmaline and Enamel
Specification: 16.80 grams of Solid GoldApproximatively 3.0 carats of Green and Pink Tourmaline
Dimension Details 60 x 40 x 28mm.The unmatched strength and intensity of the reptilian sphere is exemplified in the Textured Crocodile Ring. The raw power of the crocodile’s jaws is contrasted with the fine design and alluring 18K gold, turning a terrifying animal into pure luxury. This ring can be worn showing the jaws making it appear as two separate rings, or turned to the other side to reveal a charming smiling crocodile with emerald eyes.Materials
18K Yellow Gold Crocodile Ring with Emerald CabochonsSpecification
9.95 grams of Solid Gold
0.08 carat Round Emerald CabochonDimension Details : 22.2 x 22.2 x 1.5 mm.
Biarritz feel like something out of a Studio Ghibli film. The city's architecture is a blend of styles, reflecting its evolution over the years. You’ll find elegant Belle Époque villas, Art Deco buildings, and charming Basque-style homes. The iconic Hôtel du Palais, originally built as a summer residence for Empress Eugénie, is a standout example of 19th-century architecture.
Biarritz has a significant Napoleonic history, particularly tied to Napoleon III and his wife, Empress Eugénie. In the mid-19th century, they popularized the city as a fashionable seaside resort, attracting the European elite.
This royal connection led to extensive development and the establishment of Biarritz as a prominent destination for the upper classes, shaping its identity as a chic coastal retreat. Today, Biarritz remains a vibrant blend of history, culture, and stunning landscapes.
BEN
MAZEY
Ben Mazey’s journey is a story of self-discovery, professional achievement, and the quest for personal fulfillment. It is a story that unfolds with a series of transformative moments, revealing how he navigated the complex interplay between career aspirations and personal happiness.
In 2018, while walking to his therapist’s office in Paris, Ben faced a crucial turning point. With a sense of clarity and liberation, he expressed a profound realization: “Paris, I need to get divorced.” This metaphorical divorce wasn’t from a person, but from the city itself. Ben had been grappling with the disconnect between his impressive career and his personal contentment. Despite his success and the outward appearance of a thriving life, he felt increasingly alienated from his surroundings. The city, which once represented opportunity and excitement, had become a place where he felt like a mere spectator in his own life.
This moment of honesty marked a significant shift in Ben’s approach to life and career. He realized that despite his achievements, the geography of his existence was no longer aligning with his personal desires. He decided to explore new professional avenues, contemplating a return to London or a move to New York. Yet, amidst these practical considerations, he faced an even deeper introspection: What did he truly want?
In a heartfelt conversation with his brother, Ben shared his mental struggles and disconnection from his own aspirations. Despite working on exciting campaigns and being surrounded by notable figures, he felt that his life had become a series of superficial experiences. This honesty about his mental health and existential crisis was pivotal. It was a moment of clarity where he admitted that he needed to change his path to find genuine fulfillment.
As he reflected on his needs and desires, Ben recognized a deep-seated longing to return to his roots. He wanted to move back to the Southern Hemisphere, a place where he could reconnect with his family and embrace a lifestyle that felt more genuine to him. The idea of living abroad had once seemed like an exciting adventure, but he realized it was no longer where he wanted to be. The thought of returning to a place where he felt a sense of belonging and freedom was incredibly liberating.
The decision to move back to the Southern Hemisphere was not merely about geographic relocation. It was about reclaiming a sense of identity and finding a space where he could thrive creatively and personally. He had been living as an expat, with his right to reside tied to his job and visa sponsorship. The freedom and security of living in his native region provided him with a new perspective on what he truly valued. The move was a return to familiarity and a chance to live without the constant pressure of proving himself in a foreign environment.
The transition back to his home region was marked by a period of self-reflection and adaptation. Ben found himself in a suburban setting, a far cry from the bustling cities of Paris or New York. Initially, this might have seemed like a step backward, but for Ben, it was an opportunity to embrace a different kind of creative freedom. The quieter, less stimulating environment allowed him to tap into a new level of inspiration. It was in this seemingly mundane setting that Ben discovered a newfound sense of creativity and fulfillment.
Ben’s journey was not just about geographic relocation but also about realigning with his authentic self. He acknowledged that his life, while impressive on paper, was not fulfilling him on a deeper level. This realization led him to confront a challenging truth—he felt like he was living someone else’s dream. The glamour of high-profile projects and prestigious locations did not resonate with his core desires. Instead, he sought something more aligned with his true self, beyond the veneer of success.
episode
009
The transition back to his home region was marked by a period of self-reflection and adaptation. Ben found himself in a suburban setting, a far cry from the bustling cities of Paris or New York. Initially, this might have seemed like a step backward, but for Ben, it was an opportunity to embrace a different kind of creative freedom. The quieter, less stimulating environment allowed him to tap into a new level of inspiration. It was in this seemingly mundane setting that Ben discovered a newfound sense of creativity and fulfillment.
Touching on the role of social media in Ben’s life, he revealed a nuanced perspective. While many see social media as a shallow playground for vanity, Ben recognized its deeper potential. It wasn’t just about likes or comments for him—it was a lifeline, a way to stay connected to both his audience and his own creative journey.
Through this digital lens, he could share his work, engage with people far beyond his immediate circle, and even receive feedback that pushed his art forward. For Ben, social media wasn't just a tool; it was a vital part of his artistic
Ben’s story is also about the evolution of his creative practice. He describes a sense of excitement and pride in his work, particularly in projects like the Indiana Jones-inspired exhibition. His approach to art is deeply personal, and he finds joy in creating pieces that resonate with his authentic self. The process of artistic creation, for Ben, is not just about achieving an end result but about finding joy in the ongoing exploration of his craft.
Ben’s experience contrasts sharply with the conventional notion that creativity thrives in vibrant, high-energy cities. For him, the subdued environment of the suburbs provided a blank slate that sparked his imagination. The less crowded, less chaotic surroundings allowed him to focus on his work without the constant distraction of urban life. This shift in environment enabled him to explore his artistic practice in a more introspective and meaningful way.
One of the most poignant aspects of Ben’s journey is his reflection on authenticity in art. He believes that good art encapsulates a piece of the artist’s true self, something that is often difficult to articulate but deeply felt. For Ben, the success of his work lies in its ability to convey his genuine experiences and emotions. This authenticity is what makes his art compelling and resonates with viewers.
As Ben looks to the future, he remains excited about his artistic practice. He describes his work as a continual exploration, with no fixed endpoint. This mindset allows him to embrace the creative process fully and find satisfaction in the journey itself. Ben’s enthusiasm for his work, coupled with his ability to stay true to himself, underscores the importance of finding a path that aligns with one’s authentic desires and values.
Ben's story is a rich narrative of self-discovery, professional growth, and the pursuit of personal happiness. His journey from Paris to the Southern Hemisphere reflects a deep search for meaning and fulfillment beyond conventional success. Through introspection, relocation, and a renewed focus on authenticity, He has found a creative practice that resonates with his true self. His experience highlights the importance of listening to one’s inner voice and finding a space where one can thrive both personally and professionally.
BEAUTY DIRECTION / PINKIE
PHOTOGRAPHY / ADRIAN MESKO
HAIR / DAREN BORTHWICK
STYLING / PATRICK ZACZKIEWICZ
CAMERA / JAMES ANDERSON
COLLAGE BY PINKIE
CELINE choker, bracelet
DINOSAUR DESIGNS x ALEX AND TRAHANAS bangle
VIKTORIA & WOODS bra
LUUDA knit
ROGER VIVIER slingback pump
stockings & gloves, stylists own
UBUNTUUbuntu (Zulu pronunciation: [ùbúnt'ù]) is a Nguni Bantu term meaning “humanity”. It is sometimes translated as “I am because we are” (also “I am because you are”), or “humanity towards others” (Zulu umuntu ngumuntu ngabantu). In Xhosa, the latter term is used, but is often meant in a more philosophical sense to mean “the belief in a universal bond of sharing that connects all humanity”.
Photography Adrian Mesko
Styling Miguel Urbina Tan
Model Julia Courtes at IMG
Hair and makeup Mikele Simone
A special thank you to Pablo & ELISE 
PHOTOGRAPHER @adrianmesko
MAKEUP @raemorrismakeup @vivienscreative
HAIR @raemorrismakeup
MODEL @maiacotton @priscillasmodelsMAIA
PRODUCT BREAKDOWN
@tatcha HYDRATING MOISTURISER
@lauramercier BLURRING FLOUTANT PRIMER
@shiseido 330 BAMBOO FOUNDATION
@kosas 2.5C CONCEALER
@nars 2.75 LIGHT CONCEALER
@raemorrismakeup INVISIBLE MATTIFIER
EYES
@danessamyricks Light work Palette.
LIPS
@lauramercier Bungalow Posh Gloss.
HAIR
@basecamp_beauty ponytail brush and all hair products by @sammcknight1 
Photography Adrian Mesko
Styling Gemma Keil
Model Venus / Priscillas
Makeup Samantha Patrikopoulos
Stylist Assistant Alvin Darmawan
Fendi top, gloves and trousers
Khaite jacket,
Badgley Mischka dress
courtesy of The Outnet
Max Mara shirt, trench coat, shorts and belt
Sportmax necklace
Scanlan Theodore glovesZimmermann dress
Skims t-shirt
Giorgio Armani top, skirt and earrings
Scanlan Theodore jacket and skirt
Walter Baker pants from The Outnet
Sportmax bag
Zimmermann shirt and blazer
Scanlan Theodore boots 
Celine, bustier, shirt, jacket and jeans
Issue 002
Issue 002
ON SALE NOW HERE
ANA LILY AMIRPOUR
LA.HORDE
BRIAN THOREEN
JOY HERRO
GRIFFIN FRAZEN
PHOENIX YEMI
SPACE POPULARGIU
GIU-LIA GANG
This photo series was produced and shot in Middelheim park, Antwerp in July 2023 to accompany the other series that were crafted for NAFF issue 002.
The color photographs were taken by Adrian Mesko and art directed by Angela Vanderstraeten on and who also oversaw the styling.
The talent on set were Maude Van Dievoet and Karina Zharmukhambetova.
The styling assistance of Berivan Karaagac and make-up
Dressing
Middelheim.
PINK MAISON MARGIELA HEELS.
MAUDE WEARS ANN DEMEULEMEESTER DRESS AND KNITTED SWEATER,
KARINA WEARS DRESS BY LIEVE VAN GORP,
VERONIQUE BRANQUINHO PANTS WITH ANN DEMEULEMEESTER JAMBIÈRESKARINA WEARS VERONIQUE BRANQUINHO DRESS,
AF VANDEVORST CORSET AND MAISON MARGIELA SHOES.
MAUDE WEARS A FULL LOOK BY AF VANDEVORST.
KARINA WEARS DRIES VAN NOTEN TOP, YOHJI YAMAMOTO SKIRT
AND VERONIQUE BRANQUINHO HEELS.
MAUDE WEARS A TOP BY DRIES VAN NOTEN, HAIDER ACKERMANN SKIRT AND HEELS.
BAGS BY DIRK BIKKEMBERGS.
MAUDE WEARS A FULL AF VANDEVORST LOOK.
KARINA WEARS A AF VANDEVORST SKIRT AND PLATFORM HEELS,
MAISON MARGIELA KNITTED SWEATER AND
ANN DEMEULEMEESTER LEATHER GLOVES.
VERONIQUE BRANQUINHO FUR PULLOVER,
ANN DEMEULEMEESTER SCARF USED AS HEAD ACCESSORY, RÜTZOU SKIRT AND MAISON MARGIELA BOOTS.
MAUDE WEARS ANN DEMEULEMEESTER DRESS AND KNITTED SWEATER,
VERONIQUE BRANQUINHO HEELS.
KARINA WEARS DRESS BY LIEVE VAN GORP,
VERONIQUE BRANQUINHO PANTS WITH ANN DEMEULEMEESTER JAMBIÈRES
ANN DEMEULEMEESTER ORANGE KNIT AND CUFFS, COMME DES GARÇONS VEST,
FRIEDA DEGEYTER SKIRT AND
AF VANDEVORST CHROME BOOTS.ANN DEMEULEMEESTER PINK DRESS,
DRIES VAN NOTEN EMBELLISHED SCARF,
MAISON MARGIELA SHOES.
ALL CLOTHING BY STOF STORE, ANTWERP.LILY
ANA
AMIRPOUR
Ana LILY IN CANNES PHOTOGRAPHY BY JJ RISKOAna Lily Amirpour is an American filmmaker, screenwriter of Iranian descent. Her debut feature A Girl Walks Home Alone At Night an Iranian Spaghetti Western made its debut in 2014. After meeting in Cannes Film Festival we caught up with Lily to talk Artificial Intelligence and its role in the creative film making process,Never Ending Story, dropping out to find yourself and LSD.
* the above thunderbird is Ana’s dads car just wait until you see what gorgeous cinematography those lines provided.
We spent a few days together at Cannes Film Festival along with the other members of the short film jury, spent many hours talking about the craft, the industry and I was blessed to be invited into their inner sanctum by being gifted an official jury pass so I could watch the award ceremony.
I wish we’d been recording our conversations but alas we sat down a few moons later and recorded an en epic long (nearly 2 hours) podcast.
Lily’s other films include The Bad Batch, Mona Lisa and The Blood Moon featuring,
Suki Waterhouse, Jim Carrey, Keanu Reeves, Jason Momoa, Giovanni Ribisi, Jayda Fink , Kate Hudson, Jeon Jong-seo Craig Robinson
“Barbie outperformed Oppenheimer. Barbie's getting close to doing a billion dollars in business globally, making it the highest grossing movie ever directed by a female. “
‘ I think in writing, I think AI is a tool writers will be able to use to research things and get chunks, bits of things perhaps. And it probably can write a Marvel movie because that's not good writing, it's like the cheesecake factory. I would say that Barbie and Oppenheimer prove otherwise. ‘
The judges on a night out: ANA LILY AMIRPOUR, CHARLOTTE LEBON , KARIDJA TOURÉ,
by JJ RISKO , SILENCIO / CANNES “ I have had on all my films, set cancer to some degree. It is not an escapable thing. I did have in my core warriors, I did have the love and the passion. I think if you have the majority of the population with you, you will go through the cancer. You will deal with it and some things need to be amputated sometimes in extreme circumstances. “
Israeli director/actor/producer SCHLOMI ELKABETZ by JJ RISKO , CANNES 
…read the entire issue on our SubStack to access all the content we created for the print issue
Phoenix Yemi a Nigerian first generation poet living in London. Where she organizes regular afro centric poetry nights at Reference Point which evoke an atmosphere of cool cosy jazz clubs from the era of Nina Simone's trubulent youth
YE
MI
PHOENIX
AN
ESSAY
ON THE
COATHANGER
YOUKHANA X ATELIER EIGHT HATS
VINTAGE CHRISTIAN DIOR BUSTIER VIA KIKO VINTAGE
JOY
Herro
In the realm of Milan, Joy Herro embarked on a design odyssey, birthing TGDD - an atelier uniting patrons and artisans to sculpt original works.
Lebanon's crucible forged a fearless wanderer dreaming of beauty, who wove paths through Rome and Rome's Università La Sapienza.
A pact with Gregory birthed a rebellion against trivialities tainting collectible design's soul. Milan's embrace offered life in harmonious balance, its North-Mediterranean fusion a haven. Herro, seeker of masters, navigates highways to craft exceptional Italian dreams.
Here a glimpse of Joy's world in the form of a photo essay and brief interview
FLOOR LAMP IN OAK WOOD AND CONCRETE BY MARTIN LAFORET (2022)
TABLE AND STOOLS BY FRANK LLOYD WRIGHT (1955)
THE WATER MOTHER CERAMIC BY KAY NIELSEN (1925)
PHOTOGRAPHY SUZHOU GARDEN « LINGERING D » BY HÉLÈNE BINET (2018)
MARC CAVELL ABSTRACT LITHOGRAPH, INK ON PAPER (1974)
PAINTING BY GABRIELLA GIROLETTI (2023)
SCULPTURE ANTOINE PONCET (1960’S)AM: How did you make your way to Milan? Why?
JH: Here I started my great design disaster project, close to my
artisans workshops. TGDD is a company specializing in aligning clients with artists to create original pieces.
AM: How was life growing up in Lebanon?
JH: Twenty-one years living in Lebanon have transformed me into a fighter, unafraid of the unknown. I dreamt of new adventures, travels, experiences. I took different paths to finally find myself somehow in Rome, surrounded by beauty, where I lived 5 years before moving to Milan.
AM: Did you study?
JH: I studied product design at Rome’s Università La Sapienza along with further studies in Interior Design in Beirut.
MURANO SCULPTURE (1980)NECKLACE YVES SAINT LAURENT BY ROBERT GOOSSENS (1988)
BRIAN THOREEN
BRIAN THOREEN
Brian Thoreen is an LA born CDMX based artist and designer.
In this interview we discuss Brian’s artistic journey, his vision for the future, and the enduring allure of Mexico City that continues to inspire his craft, the community based nature of the city he now calls home & founding MASA gallery
RATIONAL / IRRATIONAL COFFEE TABLE AND CONSOLE
CAST BRONZE, HANDHAMMERED COPPER AND BLACK NEOPRENE RUBBER'Everything I've been developing for the last couple years right up until January was experimenting and then the last show is really me bringing it all together. That was exactly what the way you said, making those connections, the time to be more experimental allowed me to then bring it all together’
- Brian Thoreen
RATIONAL / IRRATIONAL COFFEE TABLE AND CONSOLE
CAST BRONZE, HANDHAMMERED COPPER AND BLACK NEOPRENE RUBBER
MASA gallery launched in 2019 with partners Hector Esrawe and Age Salajoe, reimagines design, showcasing collectible works that bridge art and function.
"COLLECTIVE / COLLECTIBLE" SHOW
inaugural exhibition EXHIBITION 0P6.02.2019 - 24.05.2019
hotography by Genevieve Lutkin
‘The giant candles were in a way, the star of the show, they got the most attention. But the thing that has sold the most are the charcoal wall pieces, actually, which was surprising and wonderful. The non-functional pieces!’
…read the full interview
and entire issue on our
SubStack
Thoreens creations embody a blend of artistry and function, defying conventions and pushing the limits of materials. Inspired by French Art Deco and Mexican modernism, his work breathes life into industrial materials like rubber and copper, creating pieces that captivate the senses.
THOREENS STUDIO MANAGER ( 2023 ) MEXICo CITY PHOTOGRAPHY / ADRIAN MESKO
FRAZEN
GRIFFIN
GRIFFIN
The man behind these extraordinary spaces is none other than Griffin Frazen,
a multi-talented artist and architect whose journey took him completing his masters in Architecture from Princeton University through working in animation and motion graphics to stage design for renowned musicians like Tom York, Solange, and Oneohtrix Point Never. We sit down with Griffin to delve into his creative process and the inspiration behind KHAITE's first flagship store in New York City.
words & PHOTOGRAPHY / ADRIAN MESKO
KHAITE FLAGSHIP STORE
165 Mercer St, New York
‘At some point there's this idea of luxury which emerged that’s very clean and it's slick and it's polished marble and bright lighting and I think that like you said at a certain point it feels like a shopping mall or too sterile’
‘The lighting is obviously very important to the project. The existing space was a great space. We got really lucky. We found a space that was perfect for us. But we knew about these two large skylights in the back, but they were sealed. The space was used to be a parking garage ’
‘It was a great opportunity to try to immerse people in the world of Khaite, which nobody had seen before. I don't know what people expected, but I don't know that they expected this’
There's six chairs designed by Shiro Kuramata, a Japanese architect who was associated with Memphis, but I think like totally in a world of his own.
‘These beautiful marbles from Italy, that didn't feel right for Khaite because it’s an American brand. So the idea and the materiality emerged from wanting something that was a little more industrial, a little rougher, a little raw, like this different idea of luxury’
‘Doing a rending is easy enough but actually executing it is really challenging. The renderings actually turned out remarkably close, but the idea of the poured concrete which a little trickier to execute which was perhaps a just naive of me as a designer.’
‘it was also a balance of it not being scenic, because real concrete has a materiality. But in the end we landed on precast panels which had its own challenges, because you can only make these panels. certain sizes and there would have been a lot joints to deal with and this was a pretty fast project.’
…read the entire interview on our SubStack
‘We knew we wanted to open up the existing two skylights, they became a core of the concept. I wanted to try replicate that type of lighting. You can't really see any fixtures, it's all top-down lighting’
‘All the curved walls are steel are hot rolled steel but the you know the interior walls with the niches. All the actual partition walls are plaster. The plaster adds a little warmth, I think the concrete would have been beautiful but colder and the acoustics would have felt different, which are all things that I love about concrete’
Issue 001
Issue 001
Giudicelli
MARI
Mari Giudicelli is a woman of many talents. Born and raised in Brazil, she moved to New York City to pursue her passion for fashion design.
After studying at Parsons, Mari discovered her love for working with leather and enrolled in a footwear program.
Fast forward a few years, Mari is now the proud owner of her eponymous shoe brand, with her signature Leblon mules taking the fashion world by storm.
LESCHELIER
MARC
‘For me, architecture is pure violence, it is a massive accumulation of materials, of processes that are interwoven into each other, and that have crystallized. ’
Marc Leschelier is a
Paris-based architect who works in the fields of sculpture and architecture.
interview by Hugo Chevassus
portraits by Adrian Mesko
He builds pavilions and architectural artifacts in experimental conditions and explores directness in the construction process and the idea of non-functional architecture.
His work has been exhibited at the Villa Noailles, Tallinn Art Biennale, installed a permanent construction at the Piacé le Radieux and an ephemeral one at the Salone del Mobile in Milan.
He is currently working on Rick Owens' Paris home, a book about Raimund Abraham and is the founder of the Unbuilt Archive.
Read the full interview in the magazine
or digital version
Leschelier was a fellow at the Villa Medici in Rome from 2017-2018 and received a research grant from the Le Corbusier Foundation in 2011.
‘Lamyxer - 2022 , by issue 001 cover artist @marcleschelier , a piece commissioned by Michèle Lamy for ‘The SkateRoom’ film by @adrianmesko . 
A
VERY
FERRY
DAY
SONG FOR THE MUTE JEANS,
BOTTEGA BAG AND
CELINE GLASSES VIA COSETTE,
CHRISTIAN LOUBOUTIN SANDALS VIA BLUE SPINACH. 
Jamoo top and shortsZiah bikini topphotography by JJ Risko
styled by Anastacia Bijou
production by Noosa Productions
Music by Least Carpet
YVES SAINT LAURENT SWIMSUIT
SONG FOR THE MUTE TRACKSUIT PANTS
Villa Necchi Campiglio, completed by the architect Piero Portaluppi in 1935.
Villa Necchi Campiglio
was not only a private residence
but also a symbol of the Necchi Campiglio family's social prominence.
It served as a gathering place for Milan's cultural elite, hosting lavish parties and events.
The villa's grand ballroom and meticulously designed gardens provided an ideal backdrop for socializing and entertaining guests.
photography Adrian Mesko
styled by Jan Kralicek
shot on location in MILAN
thanks to Bvlgari
DAVID Trulik wears PANTS DOLCE & GABANA
NECLACE BULGARI MAGNIFICA COLLECTION
necklace by Bvlgari
Jason Woodside
Bella
Artist, native Floridien and my former studio mate in New York, Jason Woodside made a bold move to New Zealand to be close to his son Ra.
We caught up with him and his fiance Bella Barbour in Byron Bay where he was fullfilling one of his commitements with surf brand Vissla.
Annabella wears
bikini by Matteau
hat by Gato Heroi
surfboard by Vissla
shape and designed by Jason Woodside
Ra wears tshirt by Wild Things 
Wetsuit and surfboard by Gato Heroi
thanks to Wild Things in Byron Bay
Jason Woodside surfboard for Vissla
Bella wears dress by Melanie Berger
RA AND JASON WEAR THEIR OWN WARDROBE. ANNABELLA WEARS MATTEAU BIKINI,
GATO HEROI HAT VIA WILD THINGS
surfboard by GATO HEROI AND bag 
Ra
and
photography by JJ Risko
styled by Anastacia Bijou
production by Noosa Productions
acomodation thanks to BBH
flights thanks to Qantas
It was a natural progression for Jason to start not only painting surfboards but to also shape
Jason wears Le Specs sunglasses
T-shirt by Gato Heroi
Ra wears T-shirt by Wild Things, jeans by Levis and shoes by VANS
Jason wears top by Gato Heroi and jeans by Balenciaga
wetsuit and surfboard by Gato HeroiUBUNTU
Ubuntu is a Nguni Bantu term meaning “humanity”.
It is sometimes translated as
“I am because you are”
In Xhosa, the latter term is used, but is often meant in a more philosophical sense to mean “the belief in a universal bond of sharing that connects all humanity”.
TATYANA KULT MODELS WEARS LUUDA DRESS AND JORDAN DALAH SLEEVE CUFFS
TATYANA @ KULT MODELS WEARS JORDAN DALAH TOP AND PANTS,
MELISSA SHOES AND VALET EARRING 
styled by Anastacia Bijou
photography Adrian Mesko
video JJ Risko
shot on location in Darwin thanks to Qantas
JARON
ALBERTIN
Pierre Jeanneret Pigeon Hole Desk, France/India 1957The Canadian director recently relocated from New York to Mexico City.
photography & interview
by Adrian MeskoI caught up with him in his new home in Roma Norte, Mexico. Surrounded by treasures by Pierre Jeanneret to Carlo Scarpa as well as locally found curiosities while working on his next feature with the help of Artificial Intelligence.
NATS
The Summer Nats, an annual pilgrimage for motor enthusiasts, etches itself into the annals of history as a testament to the indomitable spirit of man and machine.
“ It reminds us that, in the pursuit of passion, we can transcend the boundaries of ordinary existence and find ourselves in the exhilarating embrace of our dreams.”
photography by Adrian Mesko
styled by Anastacia Bijou
production by Noosa Productions
flights thanks to Qantas
ALICIA WEARS JEAN PAUL GAULTIER JORDAN DALAH DRESS AND SHOES, WOLDFORD TIGHTS
Alicia wears GUCCI BLAZER 
Full editorial also available online by subscribing to a monthly payment of $5 ( which is the minimum fee available on Substack )
ALICIA WEARS VINTAGE DIOR BODYSUIT, VINTAGE JEAN PAUL GAULTIER SKIRT AND PRADA BAG
VIA KIKO VINTAGE, JORDAN DALAH SHOES AND BELT VIA ZOO EMPORIUM. 
NEW
MEXICO
With each morsel, they tasted the fruits of their labor, savoring the flavors of resilience and gratitude. The desert wind, like a gentle caress, carried their laughter into the night, a symphony of joy in a world often consumed by noise
In the arid embrace of the land, they discovered the power of simplicity, the strength of connection, and the enduring beauty of a life well lived
PARIS
BY GIU-LIA-GANG
BY GIU-LIA-GANG
The art of street photography with a rich history shaped by Frank Capa, William Klein, Henry Cartier-Bresson and the still living legend William Eggleston to name a few. In her first body of published work Giu-Lia Gang showcases her developing language in this world.
As Constantine Manos of Magnum Agency once told me during a conversation about the meaning of photography in an age where everyone has a camera , ‘many speak English but only a few are poets’. ~ Adrian Mesko
LA.HORDE
MARSEILLE BALLET COMPANY
‘Amidst the sun-drenched streets of Marseille, a city that pulses with newfound creative fervor. My ( friend Elena's) trusty scooter traced the path along Cor Président John Fitzgerald Kennedy, leading me to the formidable brutalist edifice that housed this company of dedicated dancers, to capture their tireless toil, their relentless rehearsals, and those stolen moments of camaraderie, all woven together like a ballet itself’
‘Marseille, now a nexus for creatives from Paris to New York, had embraced these artists. As the pandemic ebbed, the city's infrastructure surged forth, paralleling the dancers' resilience. A sense of unity, a shared spirit of labor, flowed through the halls, inspiring not just their graceful movements but also my own prose.
if you’re seeing this on an iphone, I highly recommend you switch over to a bigger screen. There’s just no way to optimize a digital magazine experience on a palm sized device.
CHAPTER 1
‘The summer long project began towards the end of the pandemic, while lockdowns were over the company wasnt able to perform to the public indoors. They therefor adapted their famed ‘Room With A View’ show to be set on the rooftop of the Ballet Company performing to a crowd gathered across the lawn in the park.’
This included learning how to parkour, climb, scale and embrace the urban landscape as part of the performance
The work continues in the studio. Learning new choreography for a future performance in Paris. The company was adapting pieces by legendary dancers Tania Carvalho, Lucinda Childs
CHAPTER 2
Chapter 3
The complete rehearsal of ‘Room With A View’ took me by surprise, up until this moment I had only seen the dancers practice sections at a time. Here they entered into God Mode exerting 110% energy, commitment to each movement and each other. Simply put I was blown away!
